The Excluded Form | 2021 | NYX Hotel | Mollos, Limassol

Opening night 3rd of December. Thank you everyone for attending.

Molos Limassol (OPPOSITE EX AQUA MARINA HOTEL)

Information
Opening day – 3rd of December 2021
Time – 18:00

The inauguration will be performed by the French Embassy in Cyprus.
The project is been sponsored by the Cultural Services of Cyprus Ministry of Education, Culture, Sports and Youth.

Please click below for more information.


Art Association Cathrine is pleased to announce the project The Excluded Form. The project provides a venue within public space where the public can intersect through a visual intervention by artist, Alexandros Vasmoulakis, installed on the facade of a building, known since the 1980s as Hotel Aquamarina, and currently under renovation before opening as Hotel Nyx.

On the coastal front of “new” Lemesos, this construction site has been selected as the place and platform of an encounter between Vasmoulakis’ large-scale work, “Digger”, and passersby, the very participants of the surrounding space. The objective of the action, The Excluded Form, is to prompt conversation between the installation piece “Digger” and the general public.

*Cathrine is run by visual artists Elena Kotasvili and Alexis Vayianos. The creative team of the project includes: Eudes Ajot (Curator), Alexis Papadopoulos (Architect), Maria Petrides (Independent writer)


Hotel Aquamarina
currently under renovation before opening as Hotel Nyx

This 8-storey building is known since the 1980s as Hotel Aquamarina, and is currently under renovation before opening as Hotel Nyx.

The breakneck speed with which the coastal front has undergone construction under the so-called “Cyprus Investment Programme” has in part transformed Lemesos once again and overturned its aesthetic, contributing in effect, to impacting the lives of long-term inhabitants of the area with an increase of air pollution and environmental noise.

Expansion of privatization in cities, and gentrification processes entail a radical shrinking of public space and a generating of new forms of displacement and exclusion. The construction site, here, has been selected as a temporary place and platform of an encounter between Vasmoulakis’ large-scale work and passersby, the very participants of the surrounding space. The objective of the action, The Excluded Form, is to prompt conversation between the installation piece “Digger” and the general public.

Text by Maria Petrides